There’s a mechanical focal-plane shutter with a 1/8000sec limit and the opportunity to shoot at up to 1/32000sec by taking advantage of the X-Pro2’s electronic shutter – a feature we’ve seen before on both the X-T1 and X-T10. The speed benefits don’t end here and, unlike the X-Pro1 that could run at up to 6fps, the X-Pro2 is capable of shooting as many as 83 JPEGS or 33 raw files continuously at 8fps. The electronic viewfinder now has a 2.36-million dot resolution Both the size (0.48in) and the resolution of the EVF have improved and a new viewfinder interface features too. Alternatively, you can flick the switch on the front of the body to change it from an optical to an electronic display, which has 2.36-million dot resolution and displays 100% coverage of the sensor like the rear screen. This includes an optical viewfinder with a parallax corrected electronic frameline showing roughly what the picture will include as well as exposure, file format and battery life information. In similar fashion to the X-Pro1, the X-Pro2 combines the best of optical and electronic technologies into one complex hybrid viewfinder. Better still, the refresh rate of the electronic viewfinder (EVF) has increased from 54fps to a maximum of 85fps in the X-Pro2’s high performance mode, reducing the delay that’s often associated with tracking moving subjects using an EVF. It starts up in a brisk 0.4sec, has an impressive 0.05sec shutter lag, and the focus speed is rated at 0.06sec. As well as being able to process its data four times faster than the X-Pro1, the X-Pro2’s response speeds have improved.
#FUJIFILM XPRO 2 ISO#
This spans from ISO 200-12,800 (extendable to ISO 100-51,200) and there’s now the option to shoot in both raw and JPEG file formats at all sensitivities, including the expanded settings.īehind the X-mount lies an all-new 24-million-pixel APS-C X-Trans CMOS III sensorīy pairing the new sensor with Fujifilm’s latest EXR image processor, the X-Pro2 presents multiple speed benefits. There are other gains to be had from the new sensor such as a wider ISO range. This new sensor spreads phase-detection pixels across a broader area to improve autofocus accuracy and response, which I’ll touch on more shortly. Behind the X-mount, it’s a case of ‘out with the old and in with the new’ with a 24-million-pixel APS-C X-Trans CMOS III sensor that now supports lossless compressed 14-bit raw capture. Look beyond its robust magnesium-alloy chassis, though, and you’ll quickly realise there’s a lot more to the X-Pro2 besides its ergonomic changes. If you’re familiar with the X-Pro1 you’ll notice straight away that the X-Pro2 follows in its predecessor’s footsteps with regard to body shape and design. Subtle changes have been made at the front of the X-Pro2’s body To compete with the best in the market, Fujifilm needed to create an out-and-out replacement, and this has recently arrived in the guise of the X-Pro2. Though still widely used, the X-Pro1 has started to lag behind today’s competition. Needless to say, the X-Pro1 was a revolutionary camera that will always be remembered for kick-starting Fujifilm’s X-series system as we know it. The combination of the X-Pro1’s retro styling, X-Trans sensor technology and hybrid multi viewfinder caught the attention of many serious enthusiasts and seasoned pros who warmed to the idea of owning a modern digital rangefinder-style model capable of delivering exceptional image quality and withstanding the demands of day-to-day use. Speculation on the production of a rangefinder-meets-Compact-System-Camera finally came to fruition in early 2012 and the X-Pro1 set the benchmark in the X-series for being the first interchangeable lens camera to flaunt the X-mount and accept a brand new range of XF-series lenses. When Fujifilm announced the original X100 back in 2010, there was a real buzz around what might be next to follow in the X-series.
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